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“80后”作家的創(chuàng)作現(xiàn)象分析
摘 要
1999年，《萌芽》雜志社舉辦了第1屆“新概念作文大賽”，在這之后到現(xiàn)在已經(jīng)催生了1大批“80后”作家，他們的作品都普遍地呈現(xiàn)出渴望獨(dú)立和自我擴(kuò)張的文化特征，因迎合了當(dāng)代特定的經(jīng)濟(jì)文化形式，引起了作為主要購買群體的青少年的內(nèi)心經(jīng)驗(yàn)的共鳴而迅速走紅。這種文學(xué)現(xiàn)象是由商品經(jīng)濟(jì)的過度干預(yù)而造成的，從而也導(dǎo)致了文學(xué)作品惡俗化和文學(xué)價(jià)值觀的滑坡。同時(shí)由于創(chuàng)作者文學(xué)素養(yǎng)的缺乏，與生活閱歷的不足，而導(dǎo)致某些作品流于淺俗，但是，這種現(xiàn)象也孕育著真正的“個(gè)性化”寫作和“個(gè)性化”品格。
關(guān)鍵詞：新概念作文；“80后”作家；背景；特征；對策
ABSTRACT
In1999, the "bud" magazine conducted the first community "new concept essay contest", which gave a large number of 80s writer and their works are generally showing a cultural character of a desire for independence and self-expansion ,as it meets the specific needs of the contemporary economic and cultural forms,it raised as a major buying groups in the inner experience of young peoples resonance and rapidly received a warm welcome . This literary phenomenon of the commodity economy caused by excessive intervention, thus leading to the literature and literary values regardless of the slide. At the same time as the creators of literary accomplishment, and life experience inadequate,it results in a flow of some works in shallow, but this phenomenon bred true "personality" of writing and "personalized" character.
Key words: 80s writer; new concept essay contest; Background; Features; Response
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