以《父親》為例淺談歌曲的藝術(shù)處理

畢業(yè)論文

摘   要

《父親》這首歌曲是由車行作詞，戚建波作曲的1首中國現(xiàn)代藝術(shù)歌曲，是眾多風(fēng)格歌曲中的1個(gè)類型的代表。筆者通過對其相關(guān)資料的仔細(xì)查找和反復(fù)聆聽、演唱，對其演唱時(shí)的處理進(jìn)行了簡單的分析。得出結(jié)論，在演唱歌曲時(shí)必須把握好對歌曲的處理，從而使歌曲的藝術(shù)特性完整的展現(xiàn)在觀眾面前。如何對歌曲進(jìn)行藝術(shù)處理是本文的關(guān)鍵所在。歌曲的藝術(shù)處理包括對歌曲理解和總結(jié)等方面，本人嘗試著從歌曲創(chuàng)作背景，聲音控制，情感把握等方面對其進(jìn)行了藝術(shù)特點(diǎn)的分析。以此為演唱者如何更好表現(xiàn)音樂作品提供可參考的信息。
關(guān)鍵詞：父親；歌唱；藝術(shù)處理

ABSTRACT

"Father" is a modern Chinese song, written by Che Xing and composed by Qi Jianbo. It is one of the representatives of numerous music patterns. Through careful search of related materials, repeated listening, and attempting to sing it, I have made a brief analysis of its processing while singing, and have concluded that one should process the song properly while singing it, so as to display the artistic features of songs before the audiences. The key of this thesis is how to artistically process the song, which contains the understanding and the summarizing. I try to examine the artistic features from the perspectives of the backgrounds of the song, the vocal control and consideration of emotion, in order to supply proper information for other singers to display the musical works in a better way.,
Key words：Father；Singing；Artistic processing

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