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聲樂與器樂的完美結合
畢業(yè)論文
摘 要
《第9交響曲》是貝多芬全部創(chuàng)作的高峰和總結，它結構宏偉、構思廣闊、思想深邃，意境高遠，形象豐富多樣，它開拓了交響曲的規(guī)模和技術手段，最集中體現(xiàn)了他創(chuàng)作的思想境界、革命熱情和藝術理想。作品充滿了炙烈的熱情，也不乏嚴肅的哲理性的反思，有憂郁的氣質，卻更富有明朗、激越、奮進的樂觀主義和英雄主義精神，最終以“歡樂主題”作為思想發(fā)展邏輯性的概括和總結。然而與其他交響曲不同的是在這1交響曲中，貝多芬使用了人聲與器樂相結合的方式。雖然在交響樂作品中加入合唱的做法并非開始于貝多芬，但在作品中既不染合唱從屬于管弦樂，也不使管弦樂受合唱的支配，從而達到兩者渾然融合目的的《第9交響曲》是最早的成功之作。
本文從研究貝多芬的《第9交響曲》第4樂章的曲式結構入手，并將1些其他聲樂與器樂結合的作品進行對比，從而了解聲樂與器樂結合作品的優(yōu)點。
關鍵詞：交響樂；貝多芬；聲樂與器樂
ABSTRACT
Symphony No. 9 is the pinnacle and summing-up in all works of Beethoven. It has a magnificent structure, a subject with wide ideas, deep thought and diversified appearances. It enlarged the size of symphonies enriched the technique means, and embodies the passion to revolution, and the ideal for art of his composition. This work is full with enthusiasm and does not lack grave philosophy thought with saturnine deposition. However, it possesses opening, progressive enthusiasm and hero spirits. It ended with a logical idea development of a convivial subject. However, it differed from other symphonies because of its combined vocal and instruments. Though this form is not origination of Beethoven, the symphony No.9 is the earliest work which makes the orchestra and the chorus independent. This essay will firstly study the structure of the movement four in No. 9 symphony, and contrast it with other works in order to know the virtues of works which combined the vocal and instruments. Key words: symphony; Beethoven; vocal and instrumental music
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